“Embora ainda seja primavera, esta árvore parece estar morta, mas como heróis, árvores morrem de pé.
Though it’s still spring, this tree seems dead, but like heroes, trees die upright.”
This post is courtesy of the brilliant Brazilian street photographer Luiz Fernandos.
His blog, Belo Horizonte Daily Photo, may be seen at: belohorizontedailyphoto.wordpress.com
Photograph copyright 2015 by Luiz Fernandos. All rights reserved.
By Dave and Sharynne Wilder
Hurricane Sandy destroyed the sea wall that fronts Helen’s estate on our little island on Long Island Sound. It also wiped out her lovely white picket fence that edged the wall, strewing its broken pieces, along with massive piles of debris, all over her lawn.
As we surveyed the destruction and tried to plan a way to clean up the mess, we realized that, in fact, whole sections of the fence were actually still intact. As we gathered and bagged the four-foot-high masses of Spartina (cordgrass), reeds, and seaweed, and pulled out the sections of boat docks and people’s decks, the millions of little pieces of Styrofoam, bottles, cans . . . literally anything one could think of . . . we stacked the re-usable sections of the picket fence. Eventually they found their way back into service in the re-built fence.
But there were dozens of broken pickets and two-by-fours that we decided to salvage – there had to be some purpose we could put them to!
After many months, and our move to our new place, with its studio and garage-cum-workshop space, the obvious solution presented itself: the pointed pickets could emulate the cut slats of the seat back of a typical Adirondack chair. We spent a few hours laying out the pattern for the seat back, using pickets that were broken by the storm into appropriate lengths, and saw that the design would work. And there were enough sections of broken-up two-by-four to build the structure of the chair. We used most of the remaining pickets to make the seat and arms. We ground the rough edges and sanded the pieces as is our usual practice, but made sure to leave enough of the white paint on them that they are recognizable as part of Helen’s lovely seaside fence. So, after the, for us, typical 100 hours of work, we have our chair, the latest addition to our Hurricane Sandy Collection.
Photograph ©2015 by Mr. Hellstrom. All rights reserved.
We love the textures of the pilings and planks of this decayed dock in the Irchelpark in Zurich. As always, nature and time combine to create beauty. Our mouths almost water at the thought of crafting a bench, or a bedstead from them.
Photograph ©2012 by Roland Fischer. All rights reserved.
One of our favorite friends is the Toronto-based artist and designer Kathleen Doody. Not only was she the senior designer for the Toronto Star for years, she’s done so many wonderfully creative things, from masks to the pebble mosaics and lighting design featured on her website.
“The ancient art of pebble mosaic uses smooth, water-worn stones, sourced locally or imported from around the world, to create beautiful, durable surfaces for public spaces and private gardens . . . Designs larger than 600mm diameter are built in several pieces that fit together like a jigsaw puzzle. Modern concrete casting methods ensure frost proof installations that are built to last. The upside down construction creates a flat walking surface. Modeled ceramic bas-reliefs can be integrated into the design, adding greater detail and items of particular interest.”
“Lanterns and lamps are very sculptural. The natural beauty of the branches and handmade paper enhance any room, and the flickering light of the candles, or the soft glow of the light, add warmth and charm. Candle-lit, electric and lamp shades are all available in unique models . . .”
This bit of bleached driftwood, part of the roots of some bush or small tree, became for us a stylized “Pekingese,” as if modeled in curvaceous Chinese porcelain. We posed him on a little old plant stand we’d made years before that was weathering to pieces, and there he’s stayed.
Sculpture by Dave and Sharynne Wilder – bleached driftwood, weathered plant stand made of scrap lumber.
Part of our sculpture “Animal Series”